19,220 로열티 프리 오디오 트랙들 "Midi Music"에 대한

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

An arpeggio passage from Bach's Jesu, Joy of Man's Desiring.

Denis Gaultier: Appolon orateur (from La Rhétorique des Dieux).

Schubert, String Quintet in C, final bars.

Beethoven: Piano Concerto No. 4, slow movement

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Johann Sebastian Bach, Kantate 87:6, Tenorarie Ich will leiden, ich will schweigen

Thomas Roseingrave: Gigue.

Johannes Ockeghem: Ma bouche rit.

The third piece of the surviving fragments of Nannerl's music book.

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

The fourth piece surviving from the fragments of the Nannerl Notenbuch

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

MIDI file of 'Boona Schottische' 1899 by Australian composer Christian Helleman, probably named for Boona Mount Lachlain Shire, New South Wales

C major bebop scale.

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

Takt 54 bis 56 aus frederic Chopins Klaviersonate h-Moll, erster Satz

Jacob Senleches: Ballade Fuions de ci.

Hugo de Lantins: Jo sum tuo servo.

Pierre Solage: rondeau Fumeux fume par fumee.

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.

Nederlands: Frederic Chopin: Ballade #4. Afkomstig van: http://www.ibiblio.org/mutopia/cgibin/piece-info.cgi?id=422, publiek domein

Carlos Seixas: Sonata.

First 4 measures of the first movmemt of Ludwig van Beethoven's Piano Sonata in C-sharp minor "Moonlight", Op. 27, No. 2.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Twelve Variations on "Ah vous dirai-je, Maman", K. 265 by Wolfgang Amadeus Mozart; 11:51 minutes

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Blast beat drum pattern.

MIDI rendering of first ten bars of psalm motet "Domine, ne in furore" by Josquin des Prez. See File:Josquin Domine ne in furore.pdf for source.

6-8 clave in 4-4.

Fürwahr, er trug unsre Krankheit (Gotteslob (2013) 292)

Bach's "Crucifixus", B Minor Mass ground bass.

Extended dominant relationship in Schubert's German Dance, D. 643, opening.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Melchior Franck: Da pacem, Domine, in diebus nostris, vierstimmiger Kanon, in Tonika- und Dominantlage kombiniert

Ihr Engel, kommtIhr Engel, kommt, zu hindern,wo irgend Gottes Kindernein Unheil drohtmit Leid und Tod:Ach helft, die ihr's könnt lindern!

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Simple duple drum pattern: divides two beats into two. Created by Hyacinth (talk) 02:19, 20 July 2009 using Sibelius 5.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.